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Ellyn Weiss has been drawing
inspiration from the biological world for many years. Although
Weiss served as the first General Counsel for the Union of
Concerned Scientists from 1978 to 1988, it was not until a
decade later that she became intrigued by the forms and colors
of the human body's internal structures. At an exhibition in
Baltimore, she was moved by the beauty, depth and vibrancy she
saw in photographic images of magnified cells by two Johns
Hopkins scientists. She describes that exhibition as a pivotal
experience, explaining that she was "overcome at the thought of
this beauty twinned with functionality inside each of us." She
wondered "why I bothered painting at all since I could never
hope to make anything approaching the power of those images."
Fortunately she got over the second feeling but never the first.
She has been using microscopic images of cells as a starting
point in her work ever since, especially in printmaking.
Once Weiss selects a theme, she pursues it until her imagination
plays out. She focuses on particular parts of images, enhancing
and deconstructing them to create compositions of layered
imagery that are suggestive of her original inspiration but
never literal. She usually begins with one or more repeatable
matrices (etched plates, woodblocks, or even Styrofoam blocks)
to which she adds various elements of color, collage, and
stenciling--often running a print through the press three to six
times. A few years ago, Weiss spent ten weeks creating a series
of prints based on various images associated with
bioelectronics. This past summer, nerve cells provided her
inspiration. The prints offered at AAF 2009 are from the latter
series.
Weiss lives in Bethesda, Maryland.
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Deconstructed
Elements
(2008) |
22 x 28
monoprint |
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Mass in Brown and
Green
(2008) |
19 x 26
monoprint |
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Cellebration
(2008)
13 x 10
monoprint with chine collé and gouche on rice paper |
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